'Blackhat'
is an ill fit for audiences
Let's just
address the obvious right away, shall we? Is it ridiculous that Chris
Hemsworth, Thor himself, is playing Nicholas Hathaway, one of the world's
top computer experts in the new movie "Blackhat?" Of course, it is!
Now, are there Web hackers out there who are tall and handsome, with
washboard abs and chiseled good lucks? I am sure there are. I'm sure
some are quite handsome and-- Aw, come on! No, there aren't! On this,
we can generalize just for once, can't we? There's not a single computer
nerd alive today who looks anything like the Norse God of Lightning,
the Prince of Asgard, the mightiest of the Mighty Avengers! Computer
hackers don't look like Thor. They look like Arvid from "Head of the
Class!" And although I am sure actor Dan Frischman was available at
the time director Michael Mann was casting his new cyber thriller, clearly
the studio heads prevailed here and said, "Uh, Mikey. Forget Jesse Eisenberg.
Forget Tobey Maguire. We're not looking for the next Matthew Broderick.
We need to go with the hunk. Oh, and whenever he's at a computer terminal,
typing away, writing code, entering data ... have him shirtless. In
fact, put MORE scenes of this beautiful, beautiful man at a keyboard,
and let the buttons fly! THEM PECS IS HEMSWORTH THE MONEY!!!" Unfortunately,
"Blackhat" has more problems than just a miscast lead. The film is awash
in Mann's slick, signature visual style depicting a neon-lit world where
morally conflicted yet highly skilled professionals on both sides of
the law engage in a battle of wits. This time around, though, the style
is meant to conceal the fact that there is just not much of a rooting
interest throughout. The good guys are dull and almost completely devoid
of charisma and even energy. None of them have a true personal stake
in catching the bad guy. Meanwhile, the bad guys are sneering, one-note
moustache twirlers who ultimately just want to get paid. There's nothing
particularly great at stake in "Blackhat" either. Not enough of the
human toll is shown resulting from the lead crook's cyber attacks to
make us hate him - in addition to the power plant attack, he also engineers
a major stock market score by driving up the price of ... oooooh, hold
onto your hats ... soy futures! Then, we ultimately learn that his endgame
plot is to simply corner a different commodity - one that will make
you react: "Really? Is that what he wants to do? Really?!" OK, I'm just
gonna give it away. Sorry for the spoiler. The bad guy wants to corner
the tin market. Tin!!! Mann, almost aware that this is pretty preposterous,
eventually throws his hands up and turns the film into a simple bloody
revenge tale in its final act. But it's too little, too late especially
when we've seen revenge as a dish better served cold in recent months
by the likes of "The Equalizer" and "John Wick." Of course, this is
after Hathaway has gone on the run throughout Asia, and we're asked
to believe that no one can see this 6'4" Norse God laughably walking
amongst the Asian populace. I say "laughably," because most of the time
that Hathaway is on the run, he wears ... and I kid you not ... sunglasses.
The flowing locks, the chiseled jaw, the open shirts revealing the muscular
pecs ... heck, the simple fact that he is just a gigantic Fabio-like
Caucasian ... nope, can't find him. He's blended in. On the positive
side, the film is an ambitious travelogue with major action setpieces
taking place in China, Indonesia and Malaysia. Viola Davis does the
best she can with the sadly underwritten role of FBI Agent Carol Barrett,
assigned to oversee the U.S. side of the manhunt and keep Hathaway and
his Chinese best friend and fellow computer whiz Chen (Leehom Wang)
in line. Overall, though, "Blackhat" never builds any sustained dramatic
momentum. If it weren't for the credit "Directed by Michael Mann," I'd
say THIS was a hack job!
"Blackhat"
is rated R for violence and some language.
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