Transformers Sequel Doesn't Break
Durgin
There is no
doubt, "Transformers: Age of Extinction" is not a movie. It is an endurance
test! And there WILL be some part of your body that will either hurt
or just won't be quite right after you see it... especially if you see
it in 3-D. As I write this, I am an hour removed from screening it in
that format, and I got a nice shooting pain right between my eyes. I
feel like that one dude in "Terminator 2" that the T-1000 stabbed right
in the eyeball with his mimetic poly-alloy finger. I got three Advil
in me, and the throbbing is just starting to ease. As I was walking
out of the theater, a good number of the audience looked similarly pained.
The older audience members walked gingerly, working out kinks in their
legs, neck and back as they staggered to their vehicles. Others rubbed
their eyes and labored to deposit their 3-D glasses in the special receptacles
located outside the theater doors. A few even seemed to be off-balance
slightly. In a better world, this might have been a bonding experience.
But no one seemed to be talking. You know a flick has blitzkrieged your
senses when today's moviegoers don't even turn on their cell phones
and mobile devices immediately afterwards to get the latest e-mails,
tweets and social-media updates on their and their pathetic friends'
lives. But it could have been worse, my friends. Yup, this fourth "Transformers"
flick runs 2 hours and 40 minutes... darn-near three hours with trailers
and commercials. But think about this. It could have been 2 hours and
40 minutes of - YIKES - Shia LaBeouf!!! The Beouf is nowhere to be found
in this one. In fact, it's an all-new call sheet of Hollywood vets and
newcomers bathed in director Michael Bay's golden cinematography as
they react to gargantuan special effects that come close to smashing,
crushing, squishing and obliterating them every few minutes or so. "Age
of Extinction" would be a grand comedy if it didn't actually want to
cause you physical discomfort. I tell ya, if these "Transformers" flicks
were 90 to 120 minutes long, I think I'd love 'em. But no film based
on a freakin' '80s toy commercial should be given the running time of
"Schindler's List." At any rate, "Age of Extinction" is set five years
after the events of the last film. The Battle of Chicago has been used
as a rallying cry by government forces to goose public opinion against
the Transformers. Remaining Autobots and Decepticons have been forced
into hiding and are being hunted down by CIA black ops commanded by
Harold Attinger (Kelsey Grammer) working with an Apple-like corporation
run by Joshua Joyce (Stanley Tucci). Far away from all of the hunting,
inventor Cade Yaeger (Mark Wahlberg) discovers an old semi truck that
he buys as junk and takes back to his Texas farm where he and his Victoria's
Secret-caliber daughter Tessa (Nicola Peltz) live. The truck turns out
to be Optimus Prime, the fabled leader of the Autobots who is being
stalked by both Attinger and an alien bounty hunter named Lockdown.
Soon, government forces descend on Cade's farm and he, Tessa, and her
boyfriend Shane (Jack Reynor) narrowly escape along with Optimus Prime.
Much planetary destruction ensues. Look, no one delivers gargantuan
spectacle better than Michael Bay. Even if you hate the film, for a
$10 or $15 investment, you'll get that money back in extreme pyrotechnics,
visual effects and over-the-top stunts. This movie also sets some kind
of record for innocent bystanders almost mowed down by speeding vehicles.
Again, this is NOT a movie. It's a roller coaster ride in which the
operator on the ground - in this case, Michael Bay - is clearly insane,
has locked himself in the control booth, and is fully intent on not
stopping the attraction until someone breaks in and carries him away
kicking, screaming and laughing maniacally. And after four films and
over 600 minutes of Bay-hem... dear God, there are still multiple doors
left open for sequels! I swear these films won't break me as they did
LaBeouf. I swear it!
"Transformers:
Age of Extinction" is rated PG-13 for intense sequences of sci-fi violence
and action, language and brief innuendo.
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